Kay Mazzo was born in Chicago, where she received early training from Bernadine Hayes. The Nutcracker Project A look at The Nutcracker Project, an in-school residency program designed to encourage and showcase the artistic expression of students through exposure to New York City Ballet. At San Francisco Ballet, Mr. Garcia’s featured roles included Balanchine’s Apollo, The Four Temperaments, Jewels (“Rubies”), Prodigal Son, Square Dance, Symphony in C,  Tarantella, and Tschaikovsky Pas de Deux; William Forsythe’s The Vertiginous Thrill of Exactitude; Jerome Robbins’ Dances at a Gathering, Dybbuk, Fanfare, Glass Pieces, and Other Dances; Helgi Tomasson’s Giselle, Romeo and Juliet, The Sleeping Beauty (Bluebird, Pas de Six), Swan Lake, and Mr. Tomasson and Yuri Possokhov’s Don Quixote; and Christopher Wheeldon’s Polyphonia and There Where She Loved. That same year at Balanchine’s request, she reorganized the NYCB lecture-demonstration program for public schools, which she oversaw until 1995. At the age of 15, Ms. Ware attended the School of American Ballet’s Summer Course and subsequently enrolled in the School’s Winter Term. She was invited by Peter Martins to join SAB’s permanent faculty in 1996. She has danced principal or soloist parts in George Balanchine’s Ballo Della Regina, Chaconne, Divertimento No. 1 Season 6 Episodes Documentary 17+ Disney On Pointe follows students during a season in the School of American Ballet (SAB) in New York City. One performance of Mr. Simmons noted that he was “vibrant in his solo, whipping off multiple pirouettes…,” and “he added powerful turns and jumps while remaining sensitive to the otherwise gentle ending.” Leyland is also a sought after teacher having taught at notable institutions like the Dance Theatre of Harlem, Harlem School for the Arts, Steps on Broadway, NYU, and the Ailey School. Immediately after Shore’s accident, Neveah Stroyer (Kylie Jefferson), a dancer from Inglewood, California, is selected to take her place. He is also a guest teacher with New York City Ballet and taught at Boston Ballet’s 2010 and 2011 Summer Dance Program. His other creations include The Golden Age for the Mariinsky Ballet, Object Ours for dancers of the Royal Ballet, Running Time duet, plus his own solos Gnos Naos and Opus 3/1-3. All Choreography by George Balanchine © The George Balanchine Trust. Ms. Hyltin’s vast repertoire includes principal roles in works by George Balanchine, Jerome Robbins, Peter Martins, Alexei Ratmansky, and Christopher Wheeldon. At SAB’s June 1990 Workshop performances, she danced featured roles in Stars and Stripes and the pas de deux from Kermesse in Bruges. at the Archer School, an elite ballet academy. Ms. Killian originated a principal role in Jerome Robbins’s Ives, Songs in 1988. Ballet Russe de Monte-Carlo initially began because Léonide Massine, the choreographer of Colonel Wassily de Basil's Ballets Russes, desired to be more than just Colonel Wassily de Basil's right-hand man.De Basil was the artistic director of his Ballet Russes, and Massine desired that position, so he broke off to start his own company. Nancy Schwartzman is a documentary Peabody Award Nominated director director, producer, and media strategist who uses storytelling and technology to create safer communities for women and girls. Still, with all those years behind it, the Royal Danish School of Ballet never grows stale. She began her dance training at the age of six at the Dallas Metropolitan Ballet, where she studied with Ann Etgen and Bill Atkinson. Though it's not yet clear where "On Pointe" will air, we do know that it'll follow talented SAB students preparing for professional ballet careers—much as Teen Vogue 's popular "Strictly Ballet" web series did back in the day . At age 16 Noah became principal guest artist with the American Ballet Company, where he began performing principal roles in Balanchine ballets. Ms. Pilarre set this version of Symphonie Concertante on ABT in 1994. From late 2017 through 2018, Mr. Stafford led New York City Ballet’s four-person interim artistic leadership team while serving as NYCB’s primary artistic liaison with SAB. She originated principal roles in the Jerome Robbins masterworks Dances at a Gathering (1969) and In the Night (1970). At the age of nine, after having seen a New York City Ballet performance of George Balanchine’s The Nutcracker™, he began studying dance at the School of American Ballet, the official school of New York City Ballet. Children's Division Manager, Mae L. Wien Faculty Chair. Soloist roles included La Source, Scotch Symphony, Raymonda Variations, George Balanchine’s The Nutcracker®, Don Quixote, Coppelia, Goldberg Variations, Stars and Stripes, Chaccone, Ballo Della Regina and Swan Lake. She has been featured in ballets by Jerome Robbins including The Four Seasons, Dances at a Gathering, Fanfare, and Glass Pieces, as well as in ballets by Peter Martins, Justin Peck, Alexei Ratmansky, Christopher Wheeldon, Lynn Taylor-Corbett, and Troy Schumacher. The series is set to arrive on the service on December 18th . Over a decade of collaboration with William Forsythe, Noah performed the greater portion of the Frankfurt Ballet’s repertoire, notably premiering in the original cast of The Vertiginous Thrill of Exactitude which was created on him. Lauren King was born in Massapequa Park, New York, and began her dance training at the age of 10 with Jane Miller, Luba Gulyaeva, Ali Pourfarrokh, and Lynn Glauber at the American Theater Dance Workshop, the official school of the Eglevsky Ballet Company, in New Hyde Park, New York. He retired from performing in 2015 and joined SAB’s permanent faculty at the start of the 2015-16 Winter Term. She was accepted into the School of American Ballet’s Children’s Division at the age of 11 and progressed through the Intermediate and Advanced training levels over the following 6 years. Spotlighting the prolific New York City School of American Ballet, On Pointe shines a light into the competitive and near cutthroat world of pre-professional ballet. In October 2002, Mr. Peiffer became an apprentice with New York City Ballet, and in October 2003, he joined the Company as a member of the corps de ballet. Mr. Huxley’s repertoire includes principal roles in Balanchine’s Ballo della Regina, Coppélia, Divertimento from ‘Le Baiser de la Fée’, Duo Concertant, Jewels (“Emeralds” and “Rubies”), The Four Temperaments, A Midsummer Night’s Dream, Mozartiana, Prodigal Son, George Balanchine’s The Nutcracker®, Raymonda Variations, Symphony in C, Symphony in Three Movements and Vienna Waltzes; in Bournonville’s La Sylphide; in Jerome Robbins’s The Four Seasons, Goldberg Variations and Two & Three Part Inventions; in Peter Martins’s Romeo + Juliet, The Sleeping Beauty, Swan Lake and Fearful Symmetries; in Justin Peck’s Year of the Rabbit and Rodeo: Four Dance Episodes; in Alexei Ratmansky’s Concerto DSCH; in Christopher Wheeldon’s Mercurial Manoeuvres; and in Richard Tanner’s Sonatas and Interludes. Noah performed as a child in The Nightingale and Raft of Medusa with the First All Children’s Theater just opposite Lincoln Center. He has also appeared in numerous film, television, and print projects such as the History Channel’s Honor Deferred, The Conan O’Brien Show, YRB magazine, Law and Order, Starbucks Red Campaign, Puma, Sansha, Exberliner.com and Broadwayworld.com. Ms. Mazzo has been a Trustee of The George Balanchine Trust since 1987. He was promoted to the rank of soloist in March of 2006 and became a principal dancer in May 2007. Ms. Hyltin originated the role of Juliet in the 2007 NYCB world premiere of Peter Martins’s Romeo + Juliet and danced the role of the Sylph in the NYCB premiere of La Sylphide. Andrew Scordato was born in Sewell, New Jersey, and began his dance training at the age of nine at The Rock School in Philadelphia. She originated a principal role in Haiku, with choreography by Albert Evans and music by John Cage, for NYCB’s May 2002 Diamond Project. 2, Union Jack, La Valse, and Vienna Waltzes; Robbins’s Dances at a Gathering, Fancy Free, Fanfare (Clarinets), Glass Pieces, The Goldberg Variations, I’m Old Fashioned, Interplay, In the Night, Ives, Songs, and Les Noces; and Martins’s Ash, Delight of the Muses, Les Gentilhommes, Jazz (Six Syncopated Movements), Les Petits Riens, The Sleeping Beauty (Gold), Slonimsky’s Earbox, Swan Lake (Benno and Hungarian) and Symphonic Dances. American Midwest Ballet offices: (712) 890-5590 American Midwest Ballet School offices: (712) 890-5591 Mr. Scordato was invited to become a School of American Ballet teaching fellow in 2012. She started as a guest teacher at the School of American Ballet while still a fairly new corps dancer in the Company and she also took class with several of the founding teachers of the School. Mr. Boal became a member of New York City Ballet’s corps de ballet in 1983 and became a principal dancer in 1989. Ms. Ash was appointed to the School of American Ballet’s permanent faculty in September 2020. During his performing career with New York City Ballet, Mr. Stafford danced featured roles in George Balanchine’s Firebird, The Four Temperaments, Divertimento No. He was invited to perform in international galas all over the world, dancing solos and pas de deux created especially for him by William Forsythe and others. Ms. Stafford has originated principal roles in ballets by Stephen Baynes (Twilight Courante), Jiři Bubeniček (Toccata), Peter Martins (Bal de Couture, Viva Verdi), Kevin O’Day (Swerve Poems), and Alexei Ratmansky (Namouna, A Grand Divertissement; Pictures at an Exhibition, Russian Seasons). The documentary follows the 2019-2020 school season for the youth division at the School of American Ballet, one of the most prestigious ballet schools in the US. 15, The Four Temperaments, George Balanchine’s The Nutcracker® (Cavalier and Candy Cane), Tschaikovsky Piano Concerto No. Upon her retirement from New York City Ballet in 1981, Mr. Balanchine asked Ms. Mazzo to begin teaching at the School of American Ballet, the official academy of New York City Ballet. Ms. Pilarre also collaborated with Suzanne Farrell on the staging of La Valse and La Source for Suzanne Farrell Ballet’s 2005 performances at The Kennedy Center. Ms. Pilarre retired from dancing in 1980 but continued her involvement with the work of George Balanchine by staging his ballets for companies around the U.S. Featuring unprecedented access to one of the top youth ballet institutions in the world, the series follows the lives of the students ages 8 to 18 pursuing their dreams to become ballet dancers. During her final years of training Alicia attended the Boston Ballet Summer Dance Program as well as Pacific Northwest Ballet’s Summer Course. 2; Jerome Robbins’ Fancy Free, Fanfare (Double Bass), Interplay, and 2 & 3 Part Inventions; Peter Martins’ Octet, The Sleeping Beauty (Prince Desire and Gold), Songs of the Auvergne, and Swan Lake (“Pas de Quatre” and Spanish); and Christopher Wheeldon’s Klavier and Polyphonia. At New York City Ballet, Mr. Garcia’s repertoire includes principals roles in Balanchine’s Brahms/Schoenberg Quartet, Coppélia, Danses Concertantes, Divertimento from ‘Le Baiser de la Fée’, Donizetti Variations, Harlequinade,  A Midsummer Night’s Dream, George Balanchine’s The Nutcracker, Prodigal Son,  Jewels (“Rubies”), Sonatine, La Source,  Symphony in C, Tarantella, Tschaikovsky Pas de Deux, Theme and Variations, Union Jack, and Vienna Waltzes. Among the many ballets in which Mr. Boal was featured at New York City Ballet are George Balanchine’s Agon, Apollo, A Midsummer Night’s Dream (Oberon), and Prodigal Son; Jerome Robbins’s Dances at a Gathering and Opus 19/The Dreamer; and works by Ulysses Dove, William Forsythe, Peter Martins, Twyla Tharp, and Christopher Wheeldon. She was cast by George Balanchine as a Party Scene guest and Polichinelle. Bills' Disney+ documentary series On Pointe (premiering December 18) showcases the tapestry of students that make up the School of American Ballet as they prepare for the New York City Ballet… Mr. Boal has staged the works of George Balanchine, Ulysses Dove, and Peter Martins for the Company and elsewhere. Mr. Scordato currently oversees the SAB/NYCB Apprentice Mentorship Program alongside SAB’s dean of students and continues to dance with New York City Ballet. Ballets or Ballet excerpts ) choreographed by Balanchine for SAB ’ s permanent in... 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